In January 2011, three bold stravaigers – Alasdair Roberts, Aileen Campbell, and Drew Wright – set forth upon a twelve-week commissioning residency in The School of Scottish Studies Archives at The University of Edinburgh.
This site tracks their progress as they listen to tapes, sift through photos, conduct their own fieldwork and begin to develop new performances from their findings.
On tour October 2011!
Oct 13 : Peebles, Eastgate Arts Centre
Oct 14 : Perth Concert Hall
Oct 15 : Cupar Arts Festival
Oct 16 : Edinburgh, Scottish Storytelling Centre
Oct 17 : Aviemore, Old Bridge Inn
Oct 18 : Tobermory, An Tobar
Oct 19 : Rosehall, The Achness Hotel
Oct 23 : London, Cafe OTO
Oct 28 : Glasgow, CCA
Curated and produced by Tracer Trails.
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Tomorrow I am going to buy some air drying clay from which Shane and I will model the heads of the glove puppets to feature in our interpretation of the Scottish folk play ‘Galoshins’, which will constitute a part of my Archive Trails work. This is a new art form for me but it’s one with which Shane is familiar, so I’m looking forward to working with him on it.
With my recent move to Glasgow I haven’t been to the archive in a while but research is ongoing in other ways, not least with the recent delivery of a batch of cassettes picked up cheaply from Springthyme Records.
Today Shane Connolly and I met to discuss plans for our staging of ‘Galoshins’ for the Archive Trails tour. It was a helpful process to show him the script which I had collated as it currently stands and discuss it in some length. We discussed staging, characterisation, props, sound effects and musical accompaniment among other things; without wanting to reveal too much, plans are crystallising and becoming more focussed.
My proposal for Archive Trails has now been submitted. Next month work will recommence in earnest on the creative side of the project, which I anticipate with some glee.
Since my interest in folk songs progressed from listening to them to singing and performing them myself I have often wrestled with various issues in my mind about why I sing certain songs, should I sing certain songs, is this right or is that wrong, and so on. Sometimes I wonder whether I think a little bit too much about such things. So I am grateful for a wee bit of wisdom learned from another visitor to the archive.
Just got back from a brief trip to Finland and Estonia playing music with Alastair Caplin and Stevie Jones. A bit of travelling time to formulate thoughts about the Archive Trails project… and a marketplace in Helsinki yielded a beautiful object, an item which might make it into the work I am producing.
On 9th March, the archive trail led me to Glasgow’s leafy West End, to the Scottish Mask and Puppet Centre. Shane Connolly of Sokobauno, with whom I’ll be working on the project, had invited me along for a meeting with the Centre’s founder, Dr Malcolm Knight.
My fellow archive stravaiger Ali Roberts really picked up the Anon Man baton and ran with it at our second group meeting back on 23rd February.
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